This package of Autoworks macros for AppleWorks reduces some of the work in composing short, documented scholarly papers. It removes most of the work involved in documenting papers through bibliographic notes (footnotes, etc.), allowing the author to focus on composition.
Page [Page#] Omelette Macros
The package assumes intermediate knowledge of AppleWorks, beginning knowledge of using Autoworks macros, and some familiarity with academic type-formatting styles. These instructions/documentation, and particularly the glossary, will provide some of this background, but not enough to let a beginner use the package with confidence and skill.
DISCLAIMER
This package may not be useful for serious, prodigious scholars--buy an IBM and heavy-duty, dedicated word processing software. There are known and--presumably--
unknown limitations in this package which will leave the serious, experienced scholar unsatisfied. It is a rough-and-ready utility for occasional scholars who don't want to buy yet another word processor program.
The known limitations of this package are indicated by the label ** LIMITATION **. These limitations are not severe, but do force the user to exercise care and reasonable forethought in using the package.
Aside from such known limits, it is impossible to anticipate the wide variety of text and footnote "special situations" which may occur when an author puts words on paper. As a result of known and unknown limits and bugs, two general cautions are advisable;
A "computer rule:"
SAVE YOUR WORK FREQUENTLY.
A "composition rule:"
THERE IS NO SUBSTITUTE FOR CAREFUL EDITING AND PROOFREADING.
These macros can only help the author, not subsitute for careful editing, proofreading and file-saving. So there.
A CLOSER LOOK AT COMPOSITION AND FORMATTING
Ideally, documenting and formatting should not get in the way of composition. Before word processing, flexibility in
composition was accomplished with pencils, erasers, scissors and paste. With word processing, these hand tools are replaced by keyboard sequences which move, delete, and adjust the text on the screen.
Procedures to document--footnote--academic papers on a word processor need to be as flexible as the medium itself. The first footnote may become the last during the editing process. Consequently, documentary notes need to remain close to their text-reference (see the glossary), and unnumbered, throughout the editing process. Ideally, formatting decisions--whether the notes go at the bottom of the page, at the end of the document, etc.--should be a minor detail, to be dealt with when the composition process is finished.
This package approaches this ideal through two types of Autoworks macros. They are Composition macros and Final-formatting macros. Composition macros are used while composing the academic paper. They establish superscripts, arrange for the text-reference and its note to remain together throughout composition, and perform similar tasks. Final-formatting macros rearrange the entire document into a particular academic format, handling any necessary computer file housekeeping and similar details.
The two types of macros are not independent. In particular, the note created by the Composition macro must be recognized as a note by the several Final-formatting macros. Also, the writer must be able to recogize this special structure and deal with it while moving text from one part of the evolving paper to another. See STRUCTURE OF A DRAFT NOTE for guidelines in this relatively advanced matter.
** GENERAL LIMITATIONS and technical considerations **
These paragraphs detail some limits which are worth remembering. They will not grossly limit the typical
student-author or occasional user, but are worth remembering when casual use is exceeded
Consistent with typical academic requirements, the macros assume that the main text is double-spaced, that the notes are single spaced when they run more than one line, and that there is at leas one tab, set 2 to 15 spaces right of the main left margin.
A maximum of 299 numbered notes can be established. Technical note: this can be expanded, if desired, by extending macros ~X and ~Y.
The note-numbering macros do not reset unless the user reactivates the Autoworks macros. Consequently, if a paper with 10 footnotes is put into final form, the first footnote of the next paper will begin with footnote 11 unless Autoworks is reset, typically by rebooting Appleworks.
The macros allow one superscripted text-reference per line of text. Two, three or more references to documentary notes on any single line of main text confuse the macros and cause mistakes in subsequent note-numbering.
The macros use several options (see STRUCTURE OF A DRAFT NOTE, below) and three asterisks set solid (***) to recognize and manipulate text-references and notes. The user should avoid using these options independently, until finished with the macros. When the paper is in near-final form, these options can be inserted during proofreading.
NOTE: the limitation above does not apply to judicious use of single-spacing within the main text for long quotations. The macros have been programmed to let all ---SINGLE SPACE print commands stand as is, and only to manipulate those ---DOUBLE SPACE commands which occur immediately following documentary notes.
COMPOSITION MACROS
There are five composition macros to be used when composing a paper. The first two should be used almost constantly, to establish and maintain the draft note structure. The next two are Ibid. and op. cit., icing on the cake. The last of the five superscripts three asterisks, a macro which should be used carefully, if at all. Their descriptions follow:
B This macro begins a note sequence. It is invoked where the first digit of a superscripted text-reference would appear. It places necessary markers in the text and inserts triple asterisks where the text-reference will appear. Then, it allows the writer to type to the carriage return at the end of the line where the text-reference occurs. When the RETURN key is pressed, the macro again creates superscripted asterisks, this time at the beginning of the note. Then the writer types the author, title, etc., or uses the I or O macros (below).
** LIMITATION ** The first text-reference (see Glossary) in a document must be at least four lines (blank or not) below the beginning of the document.
** LIMITATION ** When macro B has been invoked, the left and right margins within that paragraph should be left as is. If the left and/or right margin is later changed, "orphan" short lines may occur. This is because the composition macros set carriage returns, to control later macros. Suggestion: Choose a few basic sets of side margins, use them, and don't change them later. Orpahned short lines can be fixed in proofreading--but holding to a few sets of margins is easier. Top and bottom margins, by the way, can be changed at any time.
E This macro ends a footnote sequence. It is invoked when the author has completed the body (author, title, whatever) portion of the note. It places necessary markers after the note and ends by returning the author to the next line of main text.
Technical Note: the experienced user could make macro E part of B, I, and O by having those macros hold for a <KEYTO> command. This would, however, eliminate the use of that key within a note.
I After macro B is invoked, the author can use this macro to set the word Ibid. in the note.
O After macro B is invoked, the author can use this macro to set the words op. cit. in the note.
S This macro is a subroutine to macro B to place three superscripted asterisks in text and notes. It may be used, if necessary, by expert users, to set second footnotes in single lines of text, and for other special purposes. IT SHOULD BE USED WITH EXTREME CARE: it can entirely disrupt the orderly numbering of notes and their text-references.
TRANSITION HOUSEKEEPING
Once the composition is complete, the AppleWorks desktop should be cleared of all files except the newly-created subject file. The user should enter that document and place the insert cursor at the beginning of it, in the unzoomed format.
FINAL FORMATTING MACROS
There are three type-formatting options included in this package; text-embedded notes, endnotes, and footnotes. They are implemented with numbered macros.
When these macros are invoked, the AppleWorks desktop should be clear of all files except the subject file, and there should be about 5K of available space on the desktop; the macros either expand the subject file or create additional working files. Additionally, the Endnotes and Footnotes macros save the original document to disk before processing it, in case there are unanticipated problems during transfers of information from file to file. There are no such transfers when text-embedded notes are established.
NOTE: Most of these macros "abort." These are non-destructive abortions; the macros abort because the macro and the computer have no way of knowing how many notes the author has put on the page or in the document. The software and hardware keep looking for a note after they've dealt properly with the final one on the page or in the document. When the computer blurts a series of insistent beeps, press the ESCAPE key.
Text-embedded Notes
To implement text-embedded notes, invoke macro 5. The macro will number the text-references and notes, and place a line above and below each note. It aborts when its work is done. Proofread and print the file.
Endnotes
** LIMITATION ** To use this format, there should be no more than about 200 text lines between text-references.
(Technical note: This limit is based on the limit on the size of the AppleWorks Clipboard--users who have certain extended memory boards installed in thier computers may not be bound by this limit.)
Two macros are used to put all notes at the end of the document.
Invoke macro 8, which creates the working files necessary to perform the work. In particular, the document ZZZ.NEW.DOC is the object file, where the final manuscript is assembled.
When macro 8 ends, invoke macro 9. Macro 9 moves all notes, in order, to the end of the document, numbering everything properly alsong the way. It aborts when the work's done. Save, proofread and print the ZZZ.NEW.DOC file.
Footnotes
This is the classic form. Like all classic forms, it requires more attention than the others. Three macros are
required to create footnotes at the bottom of each page, and two of them are used in alternation with each other. Also, there is a significant amount of cleanup to be done, or at least checked for, at the end of the process.
** LIMITATION ** Or, rather, a suggestion to avoid a problem. In longer papers, particularly when page headers and footers are used, footnotes which should be at the bottom of a page sometimes spill over to the top of the following page when the user has completed using the macros. Consequently, to avoid this problem, the top and bottom margins on a draft paper might best be wide, then narrowed on the final copy. Example: First draft; top margin 1.5 inches, bottom margin 1.5 inches: final draft; top margin 0.7 inch (so a header will occur in the upper inch of each sheet) and bottom margin 0.7 inch (ditto for the footer).
** LIMITATION ** Even with the above suggestion heeded, a note longer than about 30 lines may not occur entirely on the same page as its text-reference--but will appear on the top of the following page. In fact, notes longer than 2-3 lines can create minor variations in pagination. These problems can be dealt with in proofreading.
Macro 1 creates the three working files needed by the subsequent macros. Most notably, it creates ZZZ.NEW.DOC, which is the object file where the manuscript is reassembled.
Macro 2 is invoked when Macro 1 is completed. It moves pages of text and footnotes around the desktop files, in preparation for macro 3.
Macro 3 moves notes to the bottom of a page, and numbers the notes and text-references. It aborts; press the ESCAPE key.
Now invoke macro 2 again to sort pages around. When it is complete, invoke macro 3. When it aborts, invoke 2, then 3, then 2 and so on.
Note: In footnoting papers longer than a few pages, it's easy to forget which macro comes next, #2 or #3. Just remember this: until the very end of the process, macro #2 never aborts (see below). So, if a series of beeps indicates the need to change macros, then invoke #2--because #3 always aborts.
------------------- END OF PAGE 1 ------------------------
appears at the top of the desktop screen, while macro 2 (uncharacteristically) aborts. Press the ESCAPE key. Go to document ZZZ.NEW.DOC, which is the object file. It contains a fully footnoted version of the original manuscript.
Carefully proofread ZZZ.NEW.DOC. Use the Open-Apple and the "K" keys to check pagination. Usually, there are (unavoidable) extra lines at the top of the first page, which push one or more of the first-page footnotes into a short second page. Deleting the extra lines at the top of the first page solves the problem. Narrowing the top and bottom margins throughout the document solves such problems between the first and last pages, as noted above. Similarly, the footnotes on the last page are typically shown right below the text. Where the text is a quarter- to half-page long, extra blank lines should be inserted to lower the footnotes to the bottom of the page.
STRUCTURE OF A DRAFT NOTE
Here is a sample of a draft note on the "zoomed" AppleWorks wordprocessor screen:
Daunting? Fear not; the computer and this package do most of the work for the writer, right down to the last op. cit. This example is only included here to explain the structure, as follows.
The formatting instructions are paired, like vertical parentheses surrounding various parts of the text. The "-----Group Begin" and "-----Group End" markers simply ensure that the text-reference and the footnote remain together, and on the same page, through final formatting-- unless endnotes are chosen. The Single/Double Space pair of markers switch the carriage returns from text style to note style and back again. The "Set a Marker:" pair tells the macros and computer where the actual note begins and ends. As discussed elswhere, the triple asterisks indicate where pairs of superscripted numbers will eventually be placed.
The reason for this extensive dissection of the structure is to put force behind one command:
** LIMITATION ** WHEN COMPOSING, THOU SHALT NOT BREAK ANY GROUP.
Breaking any "group" confuses the computer and Final- formatting macros, causing chaos. Keep all "Group Begin" and "Group End" markers together in their proper order. A "group" can be moved above, or below, any other or several, of course. Just keep each individual group together.
INSTALLATION
To install these macros, isolate Appendix IV, and install it as a new set of macros , using the instructions laid out in the AutoWorks manual. You can choose to install the macros as "turnkey" or not; it's your choice. To isolate Appendix IV, move it to the AppleWorks clipboard, then create a new document and move Appendix IV from the clipboard into the new document. The new document can now be installed as a set of AutoWorks macros.
If you have AutoWorks macros which you now use and you want to integrate these into your own set, merge the two sets together on the AppleWorks desktop. Be sure that there are no conflicts between the sets of macros; for example, you can't use this package's "Ibid." macro (I) if you want to use "I" for another macro.
TEST FILE
Appendix VI is the test file used to create the examples shown as Appendices I through III. You can isolate Appendix VI and practice using the numbered macros to create endnotes, footnotes, or text-embedded duplicates of the first three Appendices. Each set of numbered macros requires a little bit of final proofreading and cleanup. This is a good way to get accustomed to the macros before using them on your own valuable academic papers.
GLOSSARY
Abort--The endearing (and, here, useful) habit of computer programs to misfunction and cause the computer to beep at the user until the ESCAPE key is pressed.
Endnote(s)--The practice of placing single-spaced docu- mentary notes on a page or pages at the end of the paper, chapter, or book.
Footnote(s)--The practice of placing single-spaced docu- mentary notes at the bottom of the page where their text-references occur.
Invoke--Using the Closed-Apple key, and a letter or number key together to start an Autoworks macro.
Macro(s)--These are instructions to the computer to perform functions and enter data as if the keys had been pressed by someone at the keyboard. Macros allow repetitious work to be performed by the machine. Under the Autoworks enhancements to AppleWorks, these instructions are stored in an AppleWorks word-processor file in the same directory as the AppleWorks start-up program.
Object file--the electronic document or file which grows by successive additions of manipulated text, becoming a final manuscript.
Subject file--the electronic original of a document which is reorganized, reassembled, or otherwise manipulated to result in a final manuscript.
Superscripted-reference--the superscripted digits at the very beginning of an endnote, footnote, or text- embedded note.
Text-embedded note--A note, left embedded, immediately beneath the text line where its text-reference occurs. Such notes are set off from the text by full-width lines across the page.
Text-reference--the superscripted digits, usually sequen- tial, within a text which refer to endnotes, footnotes, or text-embedded notes.
Unzoom(ed)--A screen-display format in which the text on the screen appears quite like it would appear on paper.
Zoom(ed)--A screen-display format in which all printer-control options (carriage returns, new-page commands, margins, etc.) appear on the screen
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal
convergence2 under the effective domination symbosis.
2Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is
entirely contextual in this expectation,3 losing the
3Ibid., p. 88-162.
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of
the platonic oedipal complex.4 The complex predefines
4It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to
its analysis.5 Weber pioneered this debenature,
5Blount, op. cit., pp. 28-29.
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
intuitive remuneration. Exponential hydrological
microrepression was, however, responsible6 for the
6Weems and Plath, Regression Analysis, p.2
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic
pressure.7
7We can credit Foucald with this insight, according
to Weems and Plath.
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal convergence2 under the effective domination symbosis.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is entirely contextual in this expectation,3 losing the
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of the platonic oedipal complex.4 The complex predefines
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to its analysis.5 Weber pioneered this debenature,
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
intuitive remuneration. Exponential hydrological microrepression was, however, responsible6 for the
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic pressure.7
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
NOTES
1Blount, Kinospheres, p. 52.
2Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
3Ibid., p. 88-162.
4It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
5Blount, op. cit., pp. 28-29.
6Weems and Plath, Regression Analysis, p.2
7We can credit Foucald with this insight, according to Weems and Plath.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal convergence2 under the effective domination symbosis.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is entirely contextual in this expectation,3 losing the
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial
1Blount, Kinospheres, p. 52.
2Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
3Ibid., p. 88-162.
bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of the platonic oedipal complex.4 The complex predefines
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to its analysis.5 Weber pioneered this debenature,
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
4It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
5Blount, op. cit., pp. 28-29.
intuitive remuneration. Exponential hydrological microrepression was, however, responsible6 for the
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic pressure.7
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in natural geometry.
6Weems and Plath, Regression Analysis, p.2
7We can credit Foucald with this insight, according to Weems and Plath.
Appendix IV Page [Page#] Omelette Macros
Appendix IV: The macros themselves
+++Begins a note sequence by establishing a "Group Begin" two lines above the note, calling macro ~S as a subroutine, allowing the line to be finished from the keyboard, then setting Marker 1, switching to single-spacing, and calling ~S as a subroutine again.+++
+++Creates a superscripted place for a text-reference or a note, entering a distinctive pattern (three asterisks) where the number will eventually be placed.+++
+++Does some housekeeping for footnoting macro. NOTE: IF ANY PRINTER OTHER THAN #1 IS USED, CHANGE THE 1 TO ANOTHER NUMBER IN THE FIFTH-LINE SEQUENCE <A-K>1<RETURN> BELOW.+++
+++Establishes a document (ZZZ.NEW.DOC) and performs other housekeeping chores to prepare to move all imbedded footnotes to an endnotes page. Saves the souce document to disk first, in case of foulups.+++
B Begins a note sequence, first setting several markers and other details. Then, it allows the line of text to be finished from the keyboard, ended by pressing the RETURN key. Then the note's superscripted reference is set and the author types the note from the keyboard (or uses I or O).
E Used to end a note, as soon as the author has completed the text of the note. Sets several markers and handles other details, leaving the writer at the beginning of the next line of text.
I Creates the Ibid. note.
O Creates the op. cit. note.
(The following group, used in sequence on a final draft, numbers footnotes and places them at the bottom of each page. See documentation.)
1 Esablishes working files (notably the object file ZZZ.NEWDOC) used by macros 2 and 3.
2 Moves each page of text in and out of working files and performs related housekeeping tasks. Used alternatingly with macro 3.
3 Numbers footnotes and places them at the bottom of each successive page. Used alternatingly with macro 2.
(The following macro is used alone)
5 Text-embedded format; numbers notes in a final draft and puts lines around them, leaving them in the text.
(The following pair, used in sequence on a final draft, numbers notes and places them on a separate page or pages--titled NOTES--at the end of the document.)
8 Establishes the object file ZZZ.NEWDOC used by macro 9.
9 Numbers notes, and places both text and footnotes in a new document (ZZZ.NEWDOC), with the notes on a separate page at the end of the document.
Inherent affective domain conservatism contributes to
affective temporal liberal or conservative fiscal convergence*** under the effective domination symbosis.
***Friedman, An Assessment of Affective Domain Fiscal Perceptions, Vol. 2, pp. 77-79.
This logistical expansion is expressed in a symbiotic
enhancement of thermodynamic consistency. Friedman is entirely contextual in this expectation,*** losing the
***Ibid., p. 88-162.
confirming the retrograde expansion of interstellar and interplantary symbolism. Existental and extraterrestial bitmapping defines rebuttal romanticism, confirming meter and rhyme under conventional depreciation schedules. Not
lost in this analysis is the proto-elegant configuration of the platonic oedipal complex.*** The complex predefines
***It is noteworthy that Blount and Friedman agree on this configuration; mortality projections suggest that both remain comparatively interactive.
reductive interpretations of marsupial knight-errantry, anticipating existential romanticism, as well as gold-standard Keynsian monatarism. However the problem is approached, the standard remains the same; conversion of the sensible interpretation to the nonsensical preface. Unlike the last laecuna, the vicuna conveys warmth, sensitivity, and a balance between ego, id, and superego.
The lost dynastic geological incontraversion also established antebellum transubstantiation. Introspection
confirms that spherical synthesis was a valid approach to its analysis.*** Weber pioneered this debenature,
***Blount, op. cit., pp. 28-29.
commiserating with the mercurial attenuation of the internal dialectic. Connubial, anterior probation substantially reduces the commemorative expectations of reptilian dynastic aspirations, which were ecologically thwarted a score of millenia before serious mammalian exogesis. Particulate emissions were retrospectively credited with convertable
intuitive remuneration. Exponential hydrological microrepression was, however, responsible*** for the
***Weems and Plath, Regression Analysis, p.2
precolumbian human synergy. Net present value was reduced by the depreciation of the fund equity implicit in
international prospectus alliteration under antekinetic pressure.***
***We can credit Foucald with this insight, according to Weems and Plath.
Contributory negligence is not confined to definitive antecolombian textiles, however. Protocol marked the decline of the lunar calendar in viable teleological taxonomy. Marketable securities only recently plumbed the seismological incentive. External ambiance supports the logistical aphorism naturally symbolic in geometry.
